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Crow

Plains Beaded Blanket Strip, circa 1875-1900

Plains Beaded Blanket Strip, circa 1875-1900

Antique 19th century Crow (Plains Indian) beaded blanket strip. Constructed of native tanned hide with glass trade beads and red stroud cloth (trade cloth). Four rectangular segments with light blue, yellow, red, dark blue and white in geometric and bar designs. Three round rosettes separate the segments, each is beaded in pink, light blue, yellow, dark blue, and white beads with hide suspensions in the center.

Size: 5 x 59 inches Beadwork & Quillwork

SKU:28318

Regular price $7,500.00
Regular price Sale price $7,500.00
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Whether you're a seasoned collector of antique American Indian art or new to historical Native American art, our curated selection of authentic Crow beadwork and parfleche offers a meaningful connection to one of North America's most enduring cultural legacies. Each piece we offer is carefully vetted for authenticity, condition and artistry.

More about the Crow

The Crow Tribe are indigenous peoples of the Northern Plains region of what is now the United States. Known in their own language as Apsáalooke, which translates to "Children of the Large-Beaked Bird", the tribe became known as Crow due to a misinterpetation of the translation. The Crow have long been admired for their powerful and elegant artistic traditions. Originally inhabiting the Northern Plains region of North America, the Crow roamed the expansive landscapes of what is now southern Montana, northern Wyoming, and parts of the western Dakotas. Centered around the Yellowstone River Valley, their homelands included sweeping plains, river corridors, and mountain foothills that shaped their nomadic lifestyle and creative expression. Crow art is among the most distinctive of the Plains tribes, celebrated for its bold visual language, vibrant color palette, and technical precision. One of the signature elements of Crow beadwork is the “bar design”—a striking pattern of vertical or horizontal color bands used on moccasins, pipe bags, and other personal adornments. These rhythmic motifs, often rendered in saturated tones of pink, blue, green, and yellow, reflect both individual identity and deep cultural meaning. The Crow were also masters of the painted parfleche—rawhide containers traditionally used to carry food, tools, or clothing during seasonal movements. Painted by women, these functional pieces became portable artworks, decorated with symmetrical geometric designs in brilliant primary colors. Parfleche painting was not only an artistic tradition but also a symbol of cultural continuity and practical beauty.